Osvaldo Mariscotti is a distinguished printmaker, painter, and sculptor whose prolific career spans over four decades. Internationally recognised for his iconic visual language, Mariscotti’s practice is grounded in a rigorous exploration of perception through the interplay of form and colour.
Drawing from the formal vocabulary of Suprematism, particularly the straight line and square, Mariscotti privileges man-made geometry over organic forms. His compositions often emerge through the systematic deconstruction of figures such as the rectangle, reduced to essential coloured lines set against stark black grounds. This process places him firmly within the context of geometric conceptualism: an aesthetic that eschews figuration in favour of abstraction and synthesis, searching for a new visual code through disciplined formal reduction.