Man in the Hoop (1979) is an unfurling aurora borealis of diaphanous, layered color, encircling a central void of pure, resonant white. In this vibrant composition, Paul Jenkins contrasts the luminous, radiant hues of the left register with the deep, hypnotic tones of the right, where dark colors pulse with soft white veins. These opposing fields are unified by a bridge of transitional hues, creating a harmonious passage across the canvas. The title suggests a solitary figure—a “man”—suspended or turning within a sweeping form—a “hoop”—a symbol that evokes cyclicality. Jenkins’ signature technique of controlled paint pouring, guided with an ivory knife, allows for a delicate balance between chance and intention. The paint moves with organic freedom, boundaries dissolve, and forms emerge with a quiet inner logic. Rooted in Abstract Expressionism and deeply influenced by spiritual philosophy, Jenkins’ work invites the viewer into a space of introspection—where color becomes meditative thought.