Signed and dated verso

Ryoko Endo gestural abstract paintings are constructed with a controlled yet fluid mark-making, reminiscent of Japanese calligraphy. The artist layers exuberant marks, strokes, and dabs with a fluent touch. Endo’s paintings are built-up with opaque and translucent layers of acrylic paint; the varied thicknesses of brushstrokes and pigments create a striking dynamism. The artist’s lifelong study of chromatic relationships informs her bold approach to color and structure: her mentor Kaikuo Saito - a second-generation Abstract Expressionist, employed vibrant colors to create large, immersive canvases. Endo works at the juncture of meditative Sumi calligraphy and energetic Abstract Expressionism, producing saturated colorscapes that are both precise and expressive. Given the hybridity of the forms and traditions Endo channels, her work creates a visual experience that is simultaneously contemplative and charged, deliberate and spontaneous—loose in gesture yet anchored in formal discipline.

Concentrated zones of blue and streaks of bright pigment animate the canvas of Stuck in the Holland Tunnel. The bold, solid background contrasts with loose linework: neon green, black, and white ribbons slice through the monochromatic ground. Endo painted white clusters with a low concentration of paint, so that the viewer can see the ground coming through these bloomy stains. The play of opacity and thickness of paint application adds another dimension of dynamism to the energetic composition. The composition and title evoke the chaos and flux of metropolitan traffic.