Feel The Void: Group Show
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Yuji Ueda, Untitled , 2024 -
Kohei Nawa, PixCell - Trump #3 (Royal-Straight-Flush-Club) , 2006 -
Loris Cecchini, Wallwaves vibrations (Echolocation), 2025 -
Matija Čop, You Know How To Calm Me Down, 2022 -
Julia Gault, Hors de Portée 1 & 2 , 2016 -
Julia Gault, Hors de Portée 1 & 2 , 2016 -
Super Surface, Ruslan Baginskiy Chair 1 & 2, 2022 -
Ann Greene Kelly, Untitled, 2019 -
CHIM↑POM, Asshole of Tokyo, 2025 -
Jeremie Thircuir, Fruit Platter, 2026 -
Jeremie Thircuir, Lemons , 2024 -
Jeremie Thircuir, Cabbage, 2023 -
Jeremie Thircuir, Wall Carrot, 2023 -
Jeremie Thircuir, Wall Ginger, 2023 -
Jeremie Thircuir, Potato 3 , 2024 -
Jeremie Thircuir, Artichoke 1, 2025 -
Jeremie Thircuir, Artichoke 2 , 2025 -
Jeremie Thircuir, Pumpkin 3 , 2024 -
Jeremie Thircuir, Garlic, 2025 -
Jeremie Thircuir, Pepper 2, 2025 -
Jeremie Thircuir, Eggplant 1, 2024 -
Jeremie Thircuir, Proud Eggplant, 2025 -
Jeremie Thircuir, Gourd , 2026 -
Jeremie Thircuir, Asparagus 1, 2024 -
Jeremie Thircuir, Asparagus 2, 2024 -
Jeremie Thircuir, Cocumer 2 , 2023 -
Jeremie Thircuir, Corn, 2023 -
Jeremie Thircuir, Sweet Potato 1, 2025 -
Jeremie Thircuir, Sweet Potato 2, 2025 -
Jeremie Thircuir, Giant Ginger, 2025 -
Jeremie Thircuir, Ginger 2, 2024 -
Jeremie Thircuir, Ginger 3, 2024 -
Jeremie Thircuir, Ginger 5, 2024
Upsilon Gallery Milan is pleased to present Feel The Void, a group exhibition featuring works by artists Loris Cecchini, Matija Čop, Julia Gault, Ann Greene Kelly, Kowei Naha, Chim Pom, Super Surface, Jeremie Thircuir, and Yuji Ueda.
Feel The Void takes emptiness as both the exhibition’s starting point and its central inquiry.
How does the void manifest?
Is it truly an absence, or might it instead be understood as a field of potential?
Moving beyond the conventional notion of the gallery as a neutral container for objects meant to occupy and animate white walls, the exhibition places emptiness — white space, suspension, and rarefaction — at the core of the viewing experience. Upon entering, the gallery appears almost vacant; the space seems empty. This impression, however, arises from the very nature of the works on view: entirely white artworks that position themselves in continuity with the architecture, blurring the boundary between artwork and space, object and environment.
Spanning sculpture, installation, and video, the works inhabit the space in different ways. They become presences of absence, filling the gallery much like any conventional exhibition would.
As visitors move through the seemingly unoccupied space, they become the most visible and active element on display. The exhibition unfolds through the dynamic interplay between artworks, architecture, and audience; through this encounter, the void is continuously challenged and redefined.
